Kirk Creed, (72) cane in one hand pulling a sled loaded with cordwood with the other making his way to the front door of his home near Gimli Manitoba Canada.The "off-grid’ potter heats his home and studio with firewood. March 9, 2023.
Kirk Creed, (72) cane in one hand pulling a sled loaded with cordwood with the other making his way to the front door of his home near Gimli Manitoba Canada.The "off-grid’ potter heats his home and studio with firewood. March 9, 2023.

Kirk, 72, lives a sustainable lifestyle between Lake Manitoba and Lake Winnipeg, in central Canada, near the center of North America. Off the grid except for a small generator used to power his potter's wheel, Kirk fires his pottery in a kiln using wood. Cordwood heats his home in winter and brews his coffee too. What would ‘retiring’ mean to an artist, to his practice?

Kirk sits rolling a smoke. “You don’t want a retirement where you’re just sitting on the couch. That’s not sustainable. I don’t even know what retirement would be. I’m on a pension, but that means I can do my work without worrying.” Inhaling his afternoon smoke, he adds, “The path that you follow is sometimes due to circumstance, due to other choices before it, and whatnot.” I want Kirk to tell me what retirement, or not, means to him. If he had a large profitable estate, would he continue, or would he retire in the traditional sense and put his feet up? I push a little, “Is this where you found yourself, or is this where it led you?”

Grounded firmly, he replies, “I don’t long for another lifestyle, if that helps,” as he exhales. “People need pots, and I’m going to make them.”

“What’s ‘Good Pottery’?” I ask. There is a long pause. “Good is a combination of function and form, a nice well-defined form that works the way you hope it will. It’s nice also if it’s blessed in some way with a decoration. Not necessarily overworked, but some kind of little touch of the hand.”

He continues, “The original clay bowl is an extension of the hand. You can fill it with something and then give it to somebody else, and they can carry it with them, right?”

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How does it feel to be 72?

Why did you retire or why are you still working?

Why did you retire?

Why are you still working?

“I’m still working because I’m still able to work, I’m old enough that I have a tiny government pension which means I don’t have to worry about paying my bills. I live in a shack so I don’t have that many bills, and I just hope to get up every morning and go to work.”

Kirk Creed (72) feeds another log into his hand made pottery kiln. May 15, 2023.
The Cordwood fire glows inside Kirk Creed’s hand made pottery kiln. Temperatures reach 2400F before the glaze in finished. May 16, 2023.
Awaiting a glaze and the kiln's fire, Kirk Creed's pottery lies stacked under plastic in his studio near Gimli, Manitoba Canada. June 1, 2022.
Kirk Creed (72) and his partner Veronica Brown share a meal at the kiln during an early July firing of Kirk's pottery this year. July 8, 2024
Taking a break while loading his kiln, Kirk Creed (72) gazes skyward. May 15, 2023.
Kirk Creed's partner Veronica Brown works compost into their garden beside the couple's home. September 27, 2023.
Reflected in a cabinet mirror, 72 yr old Kirk Creed prepares to head out to haul wood for his fires durning a January cold spell. January 25, 2023.
Kirk Creed (72) sits in his tiny pottery studio along with his snowshoes and drum kit, both come in handy during Manitoba’s long winter season. March 8, 2022.
'Potter's 'still life', 72 yr old Kirk Creed's reading glasses coffee mug and a pear rest on a work bench in his pottery studio near Gimli, Manitoba Canada. March 21, 2023.
Kirk Creed (72) arranges and prices mugs on a tree at the Arnes Manitoba Farmer’s Market close to his home. May 20, 2023.
A helper's hands are warmed by a freshly fired pot while emptying Kirk’s kiln. May 18, 2023.
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What do you look forward to?

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Life expectancy 2023

years

About the photographer

Phil Hossack

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Phil Hossack is a Toronto Metropolitan University (formerly Ryerson) graduate who has honed his craft in photojournalism and sports photography. With experience spanning daily newspapers, wire services, and international magazines, he has covered diverse events from Olympic Games to a coup attempt in Russia. Now freelancing and leading workshops in central Canada, Phil continues to explore storytelling and visual narratives.

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